WINTERSPELLS: Life on the Magical Path

“Abashed the Devil stood, and felt how awful goodness is…”

John Milton

This article was prompted by a pair of short films by a documentary film maker whose work I really enjoy. The films are called Black Magic Kingdoms and can by found on the Enigma Channel of Chris Everard. In these films, Chris pans over the masonry of Narbonne Cathedral and both inside and outside of Cologne Cathedral in Germany. What he says is correct: the stone is carved over with demons from the Goetia of King Solomon. To the modern mind, impacted as it is by skepticism towards the supernatural, atheism, and materialistic science, interpreting these figures as evocations to demons rather than to devotions to Christ is an easy mistake to make. But we have to realize that these magnificent buildings were not designed in modern times by people with a post modern mind set. They are visions from the heart and soul of the Middle Ages, and quite early at that —–the 12th century.

I was born into a French Catholic family. My father’s side was intensely religious having emigrated to Quebec in the 1604 and bringing their 1604 religious practices with them. Going to the cathedral in early childhood where both French and Latin were spoken filled my subconscious with powerful, numinous images and an endless attraction to things Medieval. It also implanted with deep spiritual struggle within. As I grew in the Existentialist 1960s, I was forced to question the basic Christian belief that Jesus Christ IS God.

But people in the Middle Ages in Europe had no such struggle. They believed. Only passionate belief could explain the sacrifices that must have gone into creating these massive and intricate temples, these consciousness transformers that send your spirit soaring.  Chris Everard is right that there is no place in the Bible that talks about these demons, though Satan is the constant underlying adversary of the New Testament, lurking between the lines —just as his minions cling to the walls of the cathedrals.

Medieval Christians really believed that Jesus Christ was God.

I am sure there are people who believe this now, but most  have a hard time with this these days.

Mystical, esoteric Christianity is a doctrine of Immanence—-the awareness that the Divine infuses everything that exists. Everything is alive and has a soul. If you believe in a Creative Intelligence that dreamed the worlds into life,  how could it be otherwise?.

God walked the earth in the form of a man to transform the world, to show  human beings that we too are capable of Higher Consciousness, even of miracles. By taking on human form, God infused His essence directly into humanity,  kindling the Divine Spark. His adversaries were those who ( to this day)  work to reduce humanity to the level of zomboid slaves. This is where the concept that God so loved mankind that He sent his only begotten Son (Himself) to save us comes from, I think: The devil was having a splendid time in the Roman Empire. Corruption, brutality, war, enslavement threatened to devour the world and God took notice.

The story of Paradise Lost by John Milton was based on the old Celtic myths about the War in Heaven that was caused when the archangel, Lucifer, challenged the worthiness of the God’s creation. He didn’t like the human race much and wanted nothing to do with it. Archangel Michael threw him out of Heaven and that was how he came to try to destroy us ever since. So the story goes…

The Cathedrals are Encrusted with Demons.

Most people in the Middle Ages were illiterate but they understood symbols—-pictures that were worth a thousand words. The cathedrals were referred to as Books in Stone. They were carved over with spiritual lessons: The life of Christ, visions of Heaven and Hell and the hierarchies of the worlds  for a few.

Symbolizes resurrection from death

The cathedral is the House of God. Often referred as Mother Church, the cathedral was meant to be the body of Mary, Mother of God. The faithful entered the body as sinners and, after receiving the Eucharist, exit reborn in Christ. For Medieval people this ACTUALLY HAPPENED. They really believed in this powerful supernatural event. Clever modern atheists like to point out that the Eucharist is cannibalistic, a vestige of human sacrifice. What they miss is that, to the believer, Christ/ God gave his life to be the LAST human sacrifice. The Resurrection made His flesh divine, no longer human but something higher that when taken into us transferred its power to us to transform our flesh.  Just as corn dollies replace human sacrifices to Goddess at Harvest, the wafer and wine stand in for the transmuted flesh and life force of Christ. The emphasis on the Scared Heart links the blood to the circulation of love and forgiveness through energy center of the heart by which we connect to the highest spiritual dimensions.

What the cathedrals teach us is that, not only was God’s purpose to redeem humanity, but the entire Creation including the seventy-two demons of the Goetia.

Medieval cathedrals have an area called the tympanum, the half moon area above the door with a depiction of Christ at the Last Judgment. On His right the good people are escorted to Heaven with the angels and on his left the bad ones undergo horrific tortures by the devils in Hell.

Of course the quickest interpretation of why these devils are here is too scare sinners into obeying the Church. I believe that is the role of Last Judgment Hell, though in this depiction from Autun Cathedral there is a touching image of Christ’s mercy as His hands reach down to lift the damned up form the lower depths.

This same compassion must be extended to the seventy-two demons whether they like it or not. Demons have no free will, they are what they are, but are still part of the Creation. This suggests that in order for full redemption to succeed, even they must be transformed to their divine nature. Even the deepest darkness must be returned to God. Indeed some of these grotesques—-for they are not all gargles or gargoyles—- exhibit a kind of longing for the light of understanding, a kind of confused  vulnerability.

I think it is a very beautiful belief that by entering such a place one is transformed form a body of corruption to one of divine fire and that all living things will be brought to that blessed state with you.

Can the Creation be redeemed with any piece of it missing? In Celtic Faery Tradition we learn that even Lucifer himself must be transformed, even he must be brought back to Heaven to sit at the left side of his Father.

Hierarchies of Worlds

“Long is the way
And hard, that out of Hell leads up to Light.”
— John Milton (Paradise Lost)

We can’t leave the Medieval mind set without taking into account the hierarchical view of the Creation. The above and below notions of Heaven and Hell were far more concrete when people believed that the earth was flat. Hell and the demons were under the plate of the earth. earth was like a flying saucer in space and Heaven was above. So we see in the cathedrals: The demonic figure are usually on the bottom and as the building goes higher, the angels and saints go up until, at the very top is often a Crucifix or a cross or a statue of the Virgin Mary.

Demons are in the roof, as in Notre Dame de Paris, I think reveal an awareness by the designers of the many dimensions that surround the Earth, our Paradise Lost. The limitation of stone, and all concrete images, is that they must SHOW things that are abstract by either anthropomorphizing them — as in the case God the Father as a bearded old man—-or must use space in suggestive ways that may not be understandable without an explanation. The explanation for demons being in the upper levels of the cathedrals could be that it was the only way to show that they are all around us in the fourth dimension. That they can see us through the ethers ( the sky) though we may not see them. This does not “elevate” them in status but does depict their power over us, spurring us on to take refuge with Christ—-inside the cathedral —in the body of his Mother, the Church.

As for gargoyles —many of them are not at all demonic, but rather images of peasants and common people –the only characters seen as fit to spew run off from the roofs, the only beings “low” enough to act as  gutters. Just doing their jobs…..

Freemasonry and the Demonic Cathedrals

The cathedral builders were the first Masons. What was merely the artisans guild of stone cutters has been transformed in modern times to a sinister secret society said, at the very top levels, to worship Lucifer. That being said, it does not mean that the medieval stone masons were into anything of the kind. Of course their emblems and signs are all over the cathedrals just in the way that even today, real silver is stamped Sterling.

Artists, again not readers of words, would have their signs, symbols that stood for their names. That these were co-opted by modern Freemasons does not mean that Medieval masons were worshiping the Devil. An aversion to the Catholic Church does not mean that it is right to interpret some the of the greatest works of art ever created with diabolical intent. These ideas are dangerous. Three-hundred years of the executions of millions of innocent people to such ideas getting out of hand attests to how dangerous these notions can be.

For me, our current escalation into scientific tyranny is far more frightening than the works of the ancient stone-cutters art.

Post Footer automatically generated by Add Post Footer Plugin for wordpress.

Popularity: 8% [?]

Interview with Robert Place: Tarot Illustrator & Historian

I was living in London when I bought Robert place’s Alchemical Tarot. I have been interested in Alchemy since discovering Carl Jung’s work on Alchemical Art in the late 1970’s and since been very aware of those forces at work in my life. So I was very excited to find this Tarot deck and even more excited at the idea of combining Tarot and Alchemy. The deck is also extremely beautiful and poetic. Robert Place’s style is so crystal clear and refined; his choices and use of symbolism inspired. But he wasn’t just inspired once—-he has gone on to be create four more decks and has two more in progress. The Alchemical Tarot was followed by Angels Tarot, Tarot of the Saints, Buddha Tarot and The Vampire Tarot. His recent history of Tarot, The Tarot: History, Symbolism, and Divination has been described as one of the most important books ever written on the Tarot. Works in progress include Tarot of the Seven-Fold Mystery (looks gorgeous!) and the Facsimile Italian Renaissance Woodcut Tarot.

In my research, I discovered that Robert is also an internationally renowned jeweler. If his jewelry is anything like his Tarot decks it must be amazing. He is a really nice man and we had fun doing this interview by email over several weeks.

All images are copyrighted by Robert M. Place and are used with his permission

Interview

Aline: I bought your Alchemical Tarot shortly after it was published. I love Alchemy, but I was also drawn to the clarity your images and the interesting combination of Alchemy with Tarot.  I would not have taken you for a Vampire fan. Is there an Alchemy of Vampirism?  Does the vampire have a place in the alchemical universe? If so what would it be?

Robert:. The first Tarot I designed was the Alchemical Tarot. The thing that I liked most about it was that it was inspired by a vision of how the alchemical Great Work, the creation of the Philosopher’s Stone, and the Tarot trumps were related stories. In fact alchemy seems to have influenced the original designers of the Tarot. So after I completed the Alchemical deck I wanted to find another story that was in sync with the trumps in the same way. My next inspiration was to make a Vampire Tarot because I saw it as a related story but the publishers were not ready for it at that time.

While working on the Alchemical Tarot I teamed up with Rosemary Ellen Guiley on the book for the deck. At that time she was also working on a couple books on vampires and I did some illustrations for her. I had always been enamored with vampire stories and I began to see that the literary vampire was related to alchemy. In fact in the novel, Dracula, alchemy is one of the disciplines that Dracula is supposed to have mastered.

The Philosopher’s Stone is described as a stone but not a stone, sometimes it is a liquid or it is immaterial. But it always described as red in color. The Stone is a mystical substance that can improve any substance that it comes in contact with, It can change lead into gold, it can cure any illness, it can turn an ordinary man into a sage, and it can prolong life indefinitely. This supposedly happened to the 14th century alchemist Nicolas Flamel. According to the stories, he created the Stone in the early 1400s and he and his wife are still alive. So you can see that the how this relates tot he vampire–both are looking for a red liquid that can prolong life indefinitely.

Aline: I had thought vampires might be connected to the nigredo- the shadow as well. You discuss that in your book. I am reading the book to the Vampire Tarot. Its really good.

Robert: This age old preoccupation with immortality seems to be at all time high these days.
That is an interesting topic in itself and how the Vampire mythos plays into that.

Aline: I have another question coming from the artist point of view. I am curious about your artistic path. I see the influence of the medieval woodcuts in your work. I wonder about your inspiration. Was Alchemical art an early influence on
your style and choice of subject matter?

What drew you to Alchemical art, the art or the study of Alchemy?

How did Tarot come into your life? That’s always a good story.

I have more, but I’ll save them. This is fun because we are busy people
and its nice to find a way.

Robert: I have always known that I was an artist since I could first pick up a crayon. As a child, I would look for inspiration wherever I cold find it. My first models for how to draw came from comic books but while in school working on projects I became fascinated with the pictures in encyclopedias and began to develop a delineated style like the ink drawing that illustrated the encyclopedia. I was always the class artist and I spent most of my time in grammar school working on large historic scenes that were stapled on bulletin boards.

When I was in fifth grade, we studied the Classical gods and my interest really peaked. I put together a booklet with drawings of all of the gods and goddesses that we studied. I drew them from pictures of Greek statues and the teachers and other adults were blown away by how realistically I could draw. It was the gods that put me over the edge artistically. I think that I lived another life in ancient Greece–maybe several.

>
When I was in college in the 1960s I discovered the occult. I spent a lot of time in the library looking at books on occult subjects and started visiting an occult book store in Hackensack, New Jersey, and another in Greenwich village. I still have books from those shops. The one in the Village also sold powdered incense and I can still smell the incense when I open those books. One of my favorite books from that time is The Picture Museum of Sorcery, Magic, and Alchemy by Emile Grillot de Givry. This book is filled with magical and occult pictures from old woodcuts and engravings and it turned out to be an important book that continues to feed my inspirations. My girlfriend at that time was into the Tarot. She used the Waite-Smith deck, which was about all you could get in the 60s. But in the Picture Museum I saw pictures of antique Tarot’s from the 1400s to the 1700s and I started creating my own deck based on the Tarot of Marseilles. I only completed four cards, though, and then, seeing how much work it was going to be, I lost interest.

<
I was not involved with the Tarot again for many years but, in 1982, I had a dream that changed that situation. In the dream, I received a phone call from a dream law firm in England and the ringing of the phone in that dream brought on an intense clarity that makes the dream impossible to forget.  Even now I can easily visualize the dream.  When the phone rang, I remember thinking, “how can someone call you in a dream?  I didn’t know that that could happen.”  When I answered the phone, a dream operator verified that I was Robert Place and then connected me with a woman from the dream law firm.  The second woman told me that I had an inheritance coming from an ancestor in England, and that it had great power.  She said that it was called “the key,” it would come in a box from England, and that I would recognize it when I saw it.  When I woke up the dream had been so vivid that I expected the box to be at the foot of the bed. It wasn’t, but, within a few days, my friend Scott came to my house to show me his new Waite-Smith Deck.  My head turned in his direction of its own will and then my eyes decided to focus on the deck in his hands. I immediately recognized it as my inheritance.  In a few more days my friend Ed gave me a Tarot of Marseilles deck. He said that he just had a feeling that I needed it. After that, I went to New York City to buy my own copy of the Waite-Smith deck.  With these decks, I started on my study of the Tarot and Western mysticism.

Aline: That is an amazing story! It sounds like Fortuna had plans for you—or the Gods were calling again.

Robert: That is how I started my obsessive study of the Tarot. I soon realized that most of the books on Tarot did not make much sense historically and that the occult correlations for the images were not that helpful either. Instead I looked at the pictures themselves and let them talk to me. The pictures soon led me further into the study of alchemy, Gnosticism, Hermeticism, mysticism, and magic, which I continued for many years.

>
Now, let’s jump ahead to 1987.  By this time my study of mysticism and the occult had become even more obsessive.  Although I was making my living as an art jeweler, I was spending more and more time reading and less and less time on my work.  One day in August, I was looking at my old friend The Picture Museum and I became fascinated by a 17th century alchemical engraving representing the Philosopher’s Stone in an abstract way. The design depicted a heart in the center of a cross with images of the four elements assigned to each corner, an arrangement called a quincunx.  As I looked at this image, I realized that the heart in the center was symbolically interchangeable with the dancing nude in the center of the World card and that the symbols of the elements assigned to the corners were also interchangeable with the symbols of the four evangelists in the corners of the World. Pictures like this hold tremendous power and I had just unlocked the power in this one. It was like a key opening a door in the back of my mind and out of this door came a flood of images. Within seconds, I saw that all of the trumps in the Tarot were interchangeable with alchemical images and that when that interchange was complete it was evident that the Tarot’s trumps were telling the same story as the alchemical great work, the Magnum Opus. The Tarot could be read as a text on the creation of the Philosopher’s Stone, the magical transformative substance that could prolong life.

Aline: How remarkable!

Robert: I began working on The Alchemical Tarot to illustrate this revelation and I started writing the book (although I had not considered myself a writer before this) to explain my vision. It took me seven years and the deck was published by Thorsons in England in 1995. Rosemary Ellen Guiley teamed up with me on the book. As for the images, besides The Picture Museum, I relied heavily on Jung’s Psychology and Alchemy, and The Golden Game, which is full of 17th century alchemical engravings. In keeping with the vision of the deck, I made conscious references to images from these engravings. My style of drawing is more like a woodcut than an engraving though. The biggest influence on my style of drawing in The Alchemical Tarot is Albrecht Durer’s woodcuts. I have a Dover book with all of his woodcuts and whenever I was stuck on how to render or shade a form with lines I would look and the book and see how Durer would do it.

Aline: Yes, I can see the influence of Durer in your work. But also the look of Alchemical art itself which is mostly woodcuts.

Maier: Atalanta Fugiens, 1618

>

Aline: One more question: You have designed 5 Tarot decks. That is amazing!

Now, I painted a tarot deck in the 1990’s that was never published.
During the four and a half years it took me to do that, many weird things happened.
I began to wonder if the concentration on the cards was effecting my life. I did not paint them in order
but received visions that came when they wanted to an I painted them in that order.

Did you find that working on Tarot caused things to happen in your life?
If so can you share a story about that?

Robert: It is funny that you should ask about the effect designing the cards has on the designer because that is actually part of the reason I stopped when I first started creating a deck in college. I noticed that the card that I drew would manifest in my life. The last one I did was the Tower and after that I had a falling out with my girlfriend. So I stopped. When I started on The Alchemical Tarot though things were different. For one thing I no longer used the cards as a way of making predictions about the future. I came to see the Tarot as a way of conversing with the Higher Self and obtaining wise advice. Every card has wisdom to impart and if that was what manifested after I did the design there was no problem. What started to happen is that I would include details in the picture, guided by my intuition and not really know why I was doing that. It was not until later when I was using the cards that I began to understand some of these details and was able to read them.

For example, when I designed Justice I placed the female figure on a stone base in the center of the picture and placed two columns behind and to either side of her. Her arms extended to either side holding her sword in her left hand and her scales in her right so that each tool lined up with the column in the background. When I did this, I was thinking that this was an odd way to compose the picture. It was not something that I would usually do because I would be afraid that it would look awkward. However, it seemed to work and I went with it. Then I spontaneously added flames and a column of smoke emerging from her crown, like she was a furnace, and I put an eye in the center for the flames. It was not until I was looking at the picture later that I realized what I had done was to relate the figure to the Kabalistic Tree of Life with its three columns. The scales on our left related to the pillar of severity, the sword on our right related to the pillar of mercy, and Justice’s body formed the central pillar with the column of smoke rising toward the divine presence. That the scales were on the side of severity made sense because one has to be severe or unemotional to find the true balance without any prejudice. Also the sword is a symbol of action or punishment and this does need to be tempered with mercy or forgiveness.

Aline: The archetypes are very powerful. They have to well up in your subconscious mind when you dwell on the symbols and then putting them paper “manifests ” them in some way. It is interesting that that was more managable when you stopped using them for divination —-perhaps your approach prevented the dark side being triggered…

Is there anything you would like to add? Are there any new projects you would like us to know about?

Robert Right now I am working on a book about the Tarot exhibition that I curated at the LA Craft and Folk Art Museum. The exhibit was a huge success. It got two articles in the LA Times and record attendance. This book will be a catalog of the show providing examples of important Tarot decks from the earliest 15th century Italian decks to the latest designs by contemporary artists. It also will have additional illustrations comparing the Tarot designs and symbols to other Renaissance and occult art and even to Egyptian art. It features all of the trumps from my Annotated Tarot of the Sevenfold Mystery, which I actually completed for the exhibit, and all of the trumps from my Alchemical Tarot with related examples of alchemical art.

People who are interested in finding out when it is complete should watch my web site, link to me on Facebook, or sign up for my email newsletter.

There is information at my web site:
http://www. thealchemicalegg.com

>
>

Post Footer automatically generated by Add Post Footer Plugin for wordpress.

Popularity: 22% [?]

In folk believe system of Serbian people exist very interesting myths who tell us how some people gained their unusual powers, intelligence, strength etc. Actually, by people believes almost every Serbian hero through history was dragon man. That is how people have explained their heroic acts, wisdom and powers, if they had some.

>
The problem is that by witches’ myths, witches explain origin of their powers and their blood lines in same manner. All people know that but no one wants to say that loudly because that is heresy. Witches can not be in same line with cult heroes. This problem could be even bigger because common name for male witches aka warlocks in Serbia is dragon men.
In Serbian mythology we can clearly see that there are at least three different kinds of Dragons. First kind would be dragons who are identified as meteors on night sky and they are considered to be a personifications of fire. Second kind are reptile dragons or serpent dragons who are very similar to those who we can find in Western Europe. By people believes they can be very dangerous. In most cases they are winged serpents but they have intelligence and they behave similar as dragon-people. Actually they share same capabilities. Third kinds are dragon people and they are kinds who interested us here. One old epic song tells us follow:

As many Serbian heroes there is,
All have been brought up by faeries,
And many have the dragons for fathers…

So by myths some of those heroes were Mislos Obilic, Zmaj Ognjeni Vuk, Relja Bosnjanin, Banovic Sekula, Banovic Strahinja, Ljutica Bogdan, Kraljevic Marko…

>
The question is how those people had becomes dragon people? That could happen in three ways. First would be that ones mother could sleep with dragon. Second is that ones father could sleep with fairy and third is that fairy has nursed (give her breast milk) one when he was a baby.

Titania—Cowper

>
If someone becomes dragon-man because his mother was fairy or fairy has nursed him, we can clearly see that faeries are female dragons! Actually, in Serbian traditions there are several kinds of faeries. We have, lets say “little ones”, fairies from nature, protectors of some springs, lakes, trees and Great Ones about whom we are talking here. By old myths those Great Ones are daughters of Adam and Eve whom God has cursed and they became something like semi women very similar to fallen angels from Book of Enoch. By some stories they even have animal legs which are hidden by their dresses. They have their Queen and her name is Jerisavlja. Very often people consider that queen of faeries is Forest Mother and her nick name is Forest Witch or Great Witch. We can find that in many old incantation by whom people had try to contact her. We must emphasize that those faeries are not some gentle creatures from pagan fairytales but very dangerous ones who have extreme power, magic knowledge, bad temper etc. In many stories we can see how they punish some character just because he has better voice or he has seen them. Beside that they are sexually lustful and they have manner to sleep with young boys, shepherds or warriors. However, they do not like to be in marriage and they do not like family life. Actually, by myths the only Serbian King who was in marriage with fairy was Vukasin so all of his children were dragon people.

>
Dragons are sexually lustful too. Even today at the east Serbia people believe that dragons had manner that at night visit beautiful girls. Very often, by people believes, those girls gave birth and their baby was to be dragon man. What nobody tells out loud is that if baby is a boy, people will call him dragon man and if baby is a girl, everybody will call her witch. What those girls and boys have in common is that both will have magic powers, knowledge and what is the most important capability to, by their own will, induct trance. Why? Because they are dragons’ and faeries’ children, so they are just a half human. Maybe they look like humans, but their souls and true beings are totally different. Usually people say that only persons with some capabilities can see how they really look like, until they are in their bodies, but everyone can see that as they leave their bodies. In most cases their souls were described as in animal shape or mythic animal shape. For instance in one old epic song Serbian duke Banovic Sekula lives his body in the shape of dragon with six wings.

>
From historic data we can clearly see that dragons do not chose girls perchance. Those girls are witches or they are from witch families. For instance, professor Stevan Dordjevic have founded in city archive of town Zajecar that society accused one young girl that she was sleeping with dragon in village Osljan in 1935. She was a witch and she was famous by fortune telling. Later in year 1946 there was another accusation and then people accused young daughter of famous male witch Krsta that she was sleeping with dragon. We must say that people usually had nothing against dragons and their children but they believed that it was too dangerous if dragon stayed to long in their neighborhood because he could provoke drought. The only reason why dragons stay in one region to long are girls.

>
The question is who those dragons are and what is their origin? With regret we must say that Serbian ethnology has failed to give us straight answer to that question. Mainly there are two theories. By first dragons are some animals, usually serpents, fishes or sheep that became dragons because they have lived too long. For instance, if some serpent lives hundred years it will become dragon in one moment, by people believes. Second theory speaks more about mysterious dragons that sleep with women. By it those dragons represents mythical ancestor or ancestors. Reason why scientists consider that those dragons could be ancestors is that because they are in too many blood lines, especially in those with “blue blood”. That tells us about why they are so important in people’s belief system. However, it doesn’t say who those ancestors are.

>
We have had the opportunity to speak with several authentic witches in rural regions of the country about that subject and found out what their traditions tell us about those dragons. So from several similar stories we have compiled one which we will tell here.

>
By witches’ myths, dragons have fallen all over the Balkan many centuries ago. They have fallen with something which looked like meteors shower. Because of that, even today witches and peasants connect dragons with meteors and that is noted in Serbian ethnology as we already see. Some of those dragons have fallen in rivers Danube, Timok and Pek and other in forests and mountains. Those who had fallen in rivers have continued to live in them under the water. They look like male mermaids, they have their middle long, big circle eyes, wide nose and long canine toots. Those who had fallen in forests inhabited big trees, mainly old beeches with holes. How they look like is hard to say because some witches claim that they are just big lights and other that they are anthropomorphic serpents with wings and that they become big light only when they start to fly. Those who have fallen in mountains inhabited caves and they look like previous dragons. As we can conclude, all of them are same dragons but after they fall in matter they take different shapes depending of their new habitation.

>
It is very difficult to explain how witches percept them. Most of them claim that those dragons are material but that they are more like material spirits. They are not “dough” and “firmly” like us. Let’s say that they are more etheric. Because of that only some people can see them. Most often those people are witches, shamans or some similar groups which have extraordinary capabilities. However, dragons can hide themselves even to those groups if they want to, because they are very powerful. As some of my informants have told me dragons reviled themselves only to the woman with whom they wanted to sleep, people with whom they wanted some other kind of contact or people could see them accidentally. One of my informant explained me that very plasticly and described me that if I perchance cought the woman in the moment when she is sleeping with dragon I could see only her and her legs in the air.

Fuseli

>
As we can see, after their fall dragons have started to seduce women and sleep with them. That was not hard task for them because they are shape shifters too. So when they want to seduce a woman they take appearance of a handsome man and seduce them. That was how it all stared. Children from these relationships become half human half dragons. What is the most important thing, is that by that process those children have inherited some powers and capabilities of their fathers. That means that they have some basic powers, and those powers were different from person to person but all of them would have one ultimate power, and that power was “different” souls, because of which they would have capabilities to leave their bodies when ever they wanted.
Because of that “power” all of them are capable to be in contact with hidden world and hidden forces which could be visible to them only when they leave their bodies. That contact provides them additional magic knowledge. During their night flyes they can be in contact with faeries, dragons, ancestors etc.

>
By witches’ myths that dragon blood line has managed to preserve itself through centuries. It is not necessary that every family has a woman who is in relationship with dragon at present; it is enough that family has a long departed dragon man or witch and that family would have dragon blood in their veins even today. Some members of that family could revile themselves as witches or dragons men but not everyone although they all do have dragon blood. Usually that happens when they are young and when they start spontaneously to fall in trance. That is the time when they get their initiations and when they discover hidden world of faeries, dragons and ancestors.

>
As we can see dragons could be mythic ancestor as ethnologists have sad. However, as we can see, those dragons are mythic ancestor only to some people not all. Those people who have dragons as their ancestors will have unusual powers and capabilities. They would be people with witch blood.

>
Moreover, it is not unusual that dragons are subject of witch cults. About one of these cults we have already talked in one my previous article (The Cauldron No128, Serbian Witchcraft, p32-33). Shortly told, in east Serbia exists a big tree in witch “Morning Star”(Lucifer) or Danica is Serbian, lives after his fall. That tree is object of cult. All local witches respect that tree or better said what is in that tree. They work with Danica, it is their source of knowledge and power but they do not worship it! What is interesting here is that Lucifer is connected with dragons because he is Star that had fallen and he lives in tree as others dragons do. Other name for meteors in Serbia is falling stars and all dragons are connected with stars. It is very clear that he is a subject of cult because he is more important then the other. So we can see some hierarchy here among dragons.

>
When I ask my informants where those dragons have came from, I only got one answer-sky. Because they are connected with stars we can conclude that they have come from space. It is important to say that people don’t see them as aliens but as very old creatures from ancient times. So who are they? It is very hard to say. However, all what we can conclude from all of this is that this stories are very similar to those from Book of Enoch I. We know for sure that the Book of Enoch I(it talk about watchers, fallen angels and how they slept with women and their half angelic offspring) was very important among Balkan Gnostic Bogumils and even more that the Book of Enoch II was found in Serbia in Belgrade. Stories about dragons and witch blood which we have found among Serbian witches are very similar to those from Book of Enoch although they do not talk about fallen angels but dragons.

>
The questions is if angels and dragons are the same? It hard to tell but we think that even if these stories are not the same they must have mutual origin. We know that stories about dragons in this region are older then Book of Enoch so our personal opinion is that angels have taken places of dragons after arrival of Christianity and Gnosticism. At the bottom line appearance of fallen angels is very similar to appearance of fallen dragons in the way they behave. It is clear that both of them represent same creatures which have fallen from the sky but that they have different names through different moments in history and through different cultures. What is more important is that those stories explain origin of blood lines of those people who have some powers. In Serbian witch stories we can find out why those people have these powers and what these powers are.

Radomir Ristic

Post Footer automatically generated by Add Post Footer Plugin for wordpress.

Popularity: 31% [?]

Excerpt from The Roses of the Moon and Hungarian Mythology

I haven’t been writing the blog as much as I should because I have had to focus on getting my novel The Roses of the Moon ready for publication in September 2010. I have deadlines….

Writing a novel is journey on so many levels that trading a lifetime of travel for writing has not been too difficult. It gets to be time to start using life experiences,  gleaning the lessons, and sharing the wonder of adventure while taking a much needed rest. My feet are getting itchy again, so next chance I get away I go!

The Roses of the Moon was begun in Autumn of 2007 and was written in one month clocking in at 50,000 words. It was originally called The Golden Stairs and was based on the Grimm’s Fairy Tale, Rapunzel, told  from the point of view of the witch. I had done illustrations for Rapunzel while living in London in a rose covered haunted house. At the time I was meeting many people from the Balkans and Turkey and got the idea that, though we think Grimm’s Fairy Tales are German, some may actually be from central Europe as many of them they have that kind of dark quality associated with vampires and werewolves. This notion inspired me  to set  The Golden Stairs in Royal Hungary during the Ottoman Wars. In Grimm’s Rapunzel, the young mother-to-be desires the rampion growing in the witch’s garden. The witch desires the child and uses the mother’s desires against her to take the baby when it is born.  With this in mind, I made my witch the creator of irresistible enchanted gardens full  of magical plants similar to those in Nathaniel Hawthorn’s Rappucini’s Daughter.

The Golden Stairs begins with the childhood of the witch, Marcsa Virag, growing up in a Ghormanghast-like castle in the mountains of northern Hungary where her evil mother figure, the Countess Orzsebet, practices Black Magic in the manner of the famous Blood countess,  Erzebet Bathory. The first half of the book is about Marcsa Virag’s confrontation with the legacy of her mother, the Ottoman Turks sack the castle in the middle of the book, and after that Marcsa Virag lives alone in the ruins building her gardens. That is where the Rapunzel story begins.

The novel grew to over 100,000 words. My editor suggested that I change the title,  cut the book in half and make the two stories into separate books and go on in the manner of a family saga.  She also suggested that I flesh out the background mythology.

Hotoke Sama

Writing as Magical Practice

Magic has been defined as the “Art of changing consciousness at will.” When a writer wants to create a fictitious world, he or she taps into the subconscious mind and calls it up from the deep mind. You never really know where the images and ideas come from, and its quiet astonishing that these visions arrive at all when you think about it. There were glimpses of the background myth in the original version, but I hadn’t focused on it but on the outer layer of Marcsa Virag’s story. When I did go deeper into the mythology of my alternate world, I was surprised to find how deep it went and that the story was very close to the actual ancient creation myth of Hungary.This is not the first time intuition and imagination tapped into the truth, but it is a very strong example of how an open, attuned mind can work.

A few people have asked me to share this with them so I thought I would.

In this post, I will give the very start of the creation myth I made up for the novel. in the second blog post, I will re-print an article by Radomir Ristic  about the Central European Dragon people.

Creation Myth of Castle Szeppasszony in The Roses of the Moon

Marcsa Virag has found a book called The Book of the Red Queen and the White Queen. The story of those two Queens hold a key to who she is, and why she has had to endure the things she has. This is the opening of that ancient book found in the library of a monastery carved into the mountain in the time before time began.

Book of the Red Queen and the White Queen

Here is Recorded the Creation of the World

Before Death was Born

In the time before time, Earth gave birth to the Moon. And in the very place where the Moon first entered the darkness of the night sky, a terrible upheaval was wrought in Heaven whose ruler, the Sun, now had a rival.

Fearing that his sole rulership of the stars and planets was to be undermined by this usurper Moon, Sun and the Angels held a great council where they gave birth to War. The Moon must be killed before its wan, silvery rays weakened the cosmos by stealing the light of the Sun.

Some Angels argued that the Moon might offer some benefit to the Sun by keeping watch over the darkness. It would merely reflect the light of the Sun to Earth and relieve the blackness of the night with its much dimmer light. The Angels who did not trust the Moon shouted the others down, saying the Sun’s ancestors, the Stars, gave light to the darkness and nothing more was needed.

Gradually these arguments broke the Angles into opposing camps;, the ones who sided with the one and only Sun, and those who had fallen in love with the Moon.

The new child, War, grasped Heaven in its talons. The Angels who sided with the Moon became rebels and used the light of the Moon to secretly attack the Angels of the Sun. But alas!  The Angels of the Sun called upon their ruler to blast the Moon with a light so bright that the Moon lit up like a beacon and was made to reveal the hiding places of the her Angels. The Angels of the Sun renewed their attack on the Angels of the Moon and cast them out of Heaven. They fell down into the hole in the Earth left open by the birth of the Moon. Sun proclaimed the Angels of the Moon to be Devils, and their new home in the Earth he called Hell.

The Angels of the Moon felt betrayed by she whom they had loved and ever after called her fickle. The Moon wept because of this, all through the nights, watering the earth with her tears. She watched over her champions,  bound by love and desire for redemption.

His sole rulership of the universe besmirched, the Sun fled higher up into the sky, leaving the Moon to oversee the Fallen Ones in the center of the earth. Because of her love and desire, Moon gazed upon the earth and pulled it to her, and in sorrow for her betrayal, she hid her face and pulled away. And because of this, all unwittingly, the Moon gave birth to Time. With the passage of Time, the power of the Moon increased. Her light fluctuated as she observed the affects of her love and tears upon the earth with great emotion. The Angels of the Sun tried constantly to imprison the Moon in the low hills, blackening the night but for the undying Stars.  But soon, the Angels of the Moon released their Mistress from the hills to shine in Heaven once again.

All that lived on the Earth grew strong under the Moon. Her protection in the night gave birth to Sleep. The Moon married Sleep and they gave birth to Dreams, Dreams brought forth things; the tears of the Moon became the waters that gave life to the things of Dreams such as Trees and Flowers, metals and jewels. Out of the Birthplace of the Moon, the great hole in the Earth, there grew the First Tree and it wept.

The Birthplace of the Moon is the darkest place on Earth.

The first upheaval began deep within the earth. Shelves of rock shifted, caves opened, waters gushed forth, and the land was shoved and levered towards the sky forming ridges and deep valleys. A wave of mountains rose and undulated like a serpent finally solidifying in the crescent shape of an old moon. Curled in the topmost horn of that moon was a ring of high mountains. The fallen Angels of Moon climbed out of the womb of the Earth and gathered along the tops of those mountains like thunderclouds and desired to possess the land. The Angels who stayed in the underground built majestic palaces of out of the jewels and precious metals of the Earth and practiced great magic.

Soon, waters sprang up through the ground, filling crannies and gorges and spilling over the land. Two wellheads spurted up into that O of mountains from which two streams ran, one to the east and the other to the west. Many new and wondrous creatures came out of the streams that began to walk upon the land. As the waters of the streams grew deeper and their currents thrummed over the rocks, two identical Queens were deposited on the shore and they were Giants.

A grove of trees grew up the hill away from the streams. Pure white they were and under their leafy branches, the Queens made their dwelling.

To be continued….

Post Footer automatically generated by Add Post Footer Plugin for wordpress.

Popularity: 47% [?]

“You are altogether a human being, Jane? You are certain of that?”

<

Saturn and the Nature of Consciousness

Our spiritual growth is dependent on the growth of others. If but one person wakes up, he can pull others up by their roots. — I-Ching

Due to my belated interest in the 2012  scenario, I have only recently paid attention the theorists who predict everything from full planetary destruction, the installation of the dreaded One World Government, and even planetary ascension to a higher vibrational sphere. While the more sensationalistic of these warnings scare me to death, occultist Michael Tsarion holds out the possibility that development of our individual consciousness on a mass level can swing this transformation onto a path of true awakening and with it greater freedom and wisdom.

Michael is an astrologer. If you have read any of my other blog posts you know I often use astrological symbols to look deeper into things such as solstice imagery, folklore, and ritual.

One point Michael Tsarion made has been turning over and over in my mind: The old order of the Age of Pisces was under the rule of Saturn. The new Age of Aquarius is ruled by Uranus in conjunction with Pluto.

The Age of Pisces has been an age of repression. The Age of Aquarius will be a time of mass awakening.

I am an Aquarian with strong Pluto and Saturn aspects. My Capricorn moon is ruled by Saturn—all those rings circling around your emotions means that every time the old bugger moves you feel it. I have suffered a lot with Saturn transits—-as do most people. In conversations with others on this subject, most people will say things like, “Saturn is your teacher.” “We are here to learn.” “We only learn by suffering.” Or even “Earth is prison so you have to do your time because of all your bad karma.”

I never bought any of that.

I prefer the action of Pluto to Saturn. Most people are shocked when I say that because they are scared of Pluto—-God of the Underworld (of the unconscious…). But Pluto is also the God of Wealth who brings transformation. Pluto, the psychologist, brings the soul to light. His action is creative, mythical.

Saturn is a nasty old school teacher who is bitter, hates children and therefore believes corporal punishment is the only way to teach them. The idea that one could learn through beauty, art, nature, etc. doesn’t seem to occur to the old taskmaster. The idea that surrendering to the dark forces of the unconscious—dark only because it is unconscious—is thought by the rigid old blighter to be a descent into chaos—- into the Hell of his unresolved repressions that is.

I beg to differ. The unconscious is a gold mine.

Saturn is Straight out of Charles Dickens or Charlotte Bronte

This is Saturn from Jane Eyre:

Mr. Brocklehurst -  The cruel, hypocritical master of the Lowood School, Mr. Brocklehurst preaches a doctrine of privation, while stealing from the school to support his luxurious lifestyle. After a typhus epidemic sweeps Lowood, Brocklehurst’s shifty and dishonest practices are brought to light and he is publicly discredited.

Saturn by Peter Paul Rubens — Saturn eating his children

Why did Saturn eat his children? He was afraid they would take away his power.

These Saturnian qualities are so symptomatic of the times we have been living through it can’t be missed.

Things of Beauty Misused

The old father figure, strict and cold of heart, who knows what is good for us, who projects his own inadequacy, unworthiness, and vulnerability onto us and punishes us for it has been the role of church and state for over 2000 years. It wasn’t all bad. Saturn’s rulership over stones has resulted in some of the most magnificent architecture, sculpture, jewels,—Pisces rulership over music, visionary art, storytelling, dance, film have given the world windows into the soul that cannot be surpassed. But like all things of great power and beauty, these sublime gifts were mis-used to seduce the soul into accepting Saturn’s  agenda of control and enslavement to the what astrologer Jeff Green calls “the sado-masochistic axis of Virgo/Pisces”.

I don’t care what Liz Green (author of Saturn: A New Look at an Old Devil) says, some of us cannot be taught by Saturn. Punishment is not our learning style. The tragedy is that this Saturnian mindset has made a wreck of our gorgeous planet, combined with Pisces it has used every from of deception, manipulation, imagery and irrational fear verging on hysteria to reduce humanity to be nothing but slaves to our base appetites, degrading us so that those great father figures in their ivory towers—- what Michael calls “Big Daddy”—- can sell us stuff. All the while they look down on us for behaving that way and happily crush us under their all-powerful thumbs  while they hoard all the money (Capricorn) for themselves.

I also recently found out that coal mining in West Virginia has evolved beyond the horrors of strip mining the side of the beautiful Appalachian Mountains. Mining companies now prefer the expedient of blowing off the entire top the mountain! The mountain will NEVER recover from that. In a forum, one kind soul pointed out that people who live in West Virginia should not be blamed because they have to make a living and are afraid to buck the system. THIS IS THE GRIP OF SATURN IN OLD MONEYBAGS CAPRICORN. Saturn keeps you miserable and afraid so you will continue to tow the line —-and this insight has answered all my deepest questions —–Its hard to accept but the UNIVERSAL INTELLIGENCE put that tyrant in power in the first place. Saturn is inside of us. The great art of the Age of Pisces that was meant to free us and uplift was co-opted by the dark side and turned to their profit. It is no accident that artists get next to nothing for bringing through great works that middle men got rich from.

What does that mean?

We are finally passing out of the Kali Yuga—-the time in the Hindu calendar of the Aeons of greatest darkness and evil. Kali is meant to be a cleansing force, a Plutonian cycle of Death and Rebirth.   God Creator Intelligence put us through this to refine our desires. It’s as if we have to bottom out before we can transcend. The trouble is that each new generation has to start over, but I don’t think that was the divine plan. Parents are meant to hand down consciousness to their children. This has not been happening.

The time of freedom is at hand. We have to choose how we are going to get out form the tyranny of Saturn.

The door is open. There is that whole bit in the Bible about separating the Sheep from the Goats. Well, then your damned if you do and your damned if you don’t because the goat is Capricorn ruled by Saturn and the sheep are what Big Daddy wants us all to be so he can lead us like Pied Piper to our own destruction.

BUT, the sheep is also the creature of Aries —-the sheep is capable of standing on his hind legs and if you have never been stared down by a sheep you don’t know how aggressive they can be. Uranus will soon be moving into Aries —-the sheep is going to demand its freedom from Saturn.

This is excellent. If people would drop their Saturnian fears and see them for the Pisces illusions they are, than waking up will not be so difficult.

As a Lightbody Integration for Ascension practioner, I know that if 7,000 people wake up, we will be able to “lift the rest up by their roots.” This is a call for all those able to grab that Uranian energy in Aries, and take advantage of that Plutonian transformation taking place in Capricorn to expose and dismantle the current social structure of this world. One World Government under the rule of the Old Men, Big Daddy Warbucks will be defeated because we will throw off them off by our sheer refusal to cooperate.  We have to be awake to their agenda in order to do that. We the sheep, empowered by Uranus, can change the vibration of humanity, and save ourselves and the Mother Earth.

The Gods of Our Time

Saturn, God of Time, castrated his father Uranus and seized his power.

Saturn cast the severed genitals of Uranus into the sea. From the foam  the goddess Venus (Aphodite to the Greeks) was born. (Venus is the Morning Star — an inspiring and beneficial planet of love called Lucifer in ancient times. Lucferian Venus has been degraded by those in power who use sex to stimulate our reptilian brains to excite the base appetites  to enslave us.)

From blood from Uranus’s grievous wound dripped onto the Earth. From the union of the blood of Uranus, and the Earth, the Giants leaped into being.

Pluto, or the Greek, Hades, is the son of Unranus and Rhea, the Earth.

Looks like Saturn is caught between his  resurrected father, his son and Mother Earth.

Hades

One more thing: The painting above is a picture of Hades where the god Hades, the Greek equivalent to Pluto, rules over the dead and all the minerals under the Earth.. This is your unconscious mind. This darkness is what certain Saturnian crime bosses and  big shots would love to live in and therefore they want to create this for you by activating the dark side of Pluto.

Pluto rules Scorpio and includes all the power based emotional patterns of that sign. It also takes advantage of other people’s money, underworld secret societies, murder, plots and all of that.

Pluto in Capricorn can thus generate a lethal cocktail for free thinkers everywhere, but it  also gives a clear signal to distrust everything and everyone claiming authority — especially the wolves in sheep’s clothing that they serve up as our saviors.

Our first job should be to clean up our inner world and insist on consciously creating and co-creating the Heaven on Earth we  really want. It is up to us to heal the Wasteland by questioning everything. Uranus in Aries — coming next year — can give us that strength, or deteriorate into violent revolution. It is our choice. I will do my best and I hope you will do yours.

Post Footer automatically generated by Add Post Footer Plugin for wordpress.

Popularity: 31% [?]

Legacy of the Witchblood and Anne Rice’s Mayfair Witches

“Lasher, for the wind that you send that lashes the grasslands, for the wind that lashes the leaves from the trees.”

In her classic first volume of the  Chronicles of the Mayfair Witches, The Witching Hour, Anne Rice bases the witchy status of her characters on their relationship to a discarnate spirit called Lasher. Conjured through the veil in the 17th century by Scottish Merry Begot,  Suzanne of the Mayfair, Lasher’s presence is  heralded by the branches of the trees and bushes lashing the wind.

Suzanne’s unwise choice to dabble in magic got her burned in Donnelaith, but not before Lasher fell in love with Suzanne’s beautiful daughter, Deborah. He gave her a bottomless purse of gold and  a large emerald pendant with his name inscribed on the back to be passed down to all the Mayfair witches. For all his gifts, Lasher’s witches suffer tragic untimely deaths and madness. Deborah was burned at the stake for witchcraft in France.

Symbolism of the Emerald

The emerald is the classic stone of Faery and has many occult associations, not the least being the color of the green earth and the favored eye color of Faery beings.The Holy Grail is associated with the emerald that fell from Lucifer’s crown when he fell to earth after the Battle of the Rebel Angels in Heaven. It signifies the Emerald Tablet of Thrice Great Hermes and the philosophers stone.

In each each succeeding generation of Mayfairs, the spirit, Lasher, would attach himself to a female child gifted with the “sight”, granting her the emerald and a bottomless purse in exchange for the energy he needs to gradually acquire a physical body. Sometimes Lasher is referred to as the Devil—-the traditional King of all witches—- Lucifer.

The Question of Witchblood

Though The Witching Hour is a work of fiction, thought by most people to be a fantasy, Anne Rice got me thinking about my own inheritance of the Witchblood.

*In modern witchcraft, Witchblood is usually thought of as bloodline stemming from ancestors who practiced the Craft. It is a formal initiation that is passed down from parent to child. My abilities did not come to down through a line of practicing witches, at least not consciously.

*In Celtic Faery Tradition, Witchblood can be the result of mediating Faery—-the archetypal Realm of the Ancestors. If done long enough, your ancestors “wake up in your blood”. Since the ancestors  of most, if not all peoples of earth, were  pagans, then any cunning craft or magical abilities  they had will come back to life in the Faery Seer’s blood.

*One thing that Anne Rice suggests is that the mark of a witch is the possession of psychic powers and the ability to see spirits. I agree that those abilities are all of a piece. What is it about these abilities that make one a witch? What is a witch anyway?

I think a witch is someone walks on the earth in a sacred manner and all of nature responds. Especially spirits. Like animals, they know who comes from the heart and who doesn’t. But if a spirit is summoned for selfish purposes—well this a realm where indeed you get what you give.

How Do You See Spirits?

I have been seeing spirits for as long as I can remember. I grew up in the woods and most of the spirits I saw were spirits of those woods. I saw the past life of the land roll out like film reels. I saw ghosts. I never feared these beings, rather I thought they were marvelous and they intrigued me. I never questioned why I could see them, I just did. I also knew by instinct that very few other people had these visions.

In The Mayfair Witches, Lasher reveals his agenda to Rowan Mayfair. She is the thirteenth witch in the family line and thus the one who is strong enough to help him to gain what he wants most profoundly, a human form.

This notion of the witch having the strength to assist a spirit to manifest got me re-thinking about how we see spirits.

The spirits exist independently of us, whether we see them or not. Since our age of gross Materialism, very few people see them any more. Some people call the ability to the view the Unseen, a “gift”, or a special dispensation from God or the Devil depending on your view. Most people who think this don’t have it.

(I think Anne Rice has it…)
I always thought this clairvoyance was just part of a package  with a sensitive, nervous temperament and was kind of enhanced power of  creative imagination.
Then I thought it had to do with innate spirituality. Some us are born seers, people who in ancient cultures would have been members of a priest class.
Karma was another explanation, previous lifetimes of spiritual practice that opened the Third Eye.

These were the ideas I played while reading The Witching Hour..

I also thought it might have been a genetic inheritance from my French, Irish and Iroquois ancestors—–natural mediumistic races  all. I also thought of trance mediums oozing ectoplasm and causing spirits to materialize and bump the table up and down.

Now that might have at the back of Anne Rice’s mind when she was writing her book, among other things.

After reading The Mayfair Witches, I have another idea.

Spiritual Frequency as Materializing Force

Anne Rice suggests that Lasher’s ability to materialize is strengthened as each succeeding Mayfair witch grows stronger. The tide of passed-on experience and Lasher’s interference in the gene pool of the Mayfairs by pairing the most psychic family members to conceive the next child, increases the power of the new witch to bring him through.

What this means to me is that my ability to “see” spirits may not be a “sight” based thing at all. Rather,  I emit the right energetic frequency that allows discarnate spirits to densify in my presence.

When the Tuatha deDanaan came through my house back in 1997-98, they came as holograms —-complete and life-sized  3-dimensional light bodies dressed in the clothing of 12th century France. By that time, I had been working as a full time  energy healer in the long wake of a full blown kundalini awakening in 1989. My frequencies were sky rockets.

This level of frequency can only be attained when one is aligned to the vibration of Divine Love and the Soul of the World. It comes from the heart where no malice can be exist because it is instantly neutralized at that vibrational level. This is why I know the Faeries are not evil.

So—-did I simply lend the necessary vibrations to these Faeries that allowed them to take on material substance?
Would they have been coming through my house even if I couldn’t have seen them?
Or were they attracted to my space because of the frequencies, and knew I would be able to lend them form—and see them?

When they ordered me to start painting the Grail Keepers Tarot, I asked them why they chose me. I had lapsed as far as art was concerned and wasn’t good enough for such a project. They told me I was the only one who could do it, because I could see them and they could see me.

Children and the Sight

That still doesn’t explain how I, or anyone, could help them appear when I was a child.
The time of early childhood is a more likely time for these experiences. Is that because the purity of the child’s heart and thus vibration is so much stronger than an adults? Are many more of us born with the Witchblood than we realize?

Part of the lore of Faery is that they love to materialize. They seek to share with us this creation of life on earth. Anne Rice’s Lasher is a trickster figure, not really evil so much as corrupted by desire and ambition learned from his contact with human beings. This is also an interesting idea. The pure spirit is innocent. Physicality exerts it own influences. In Faery Tradition we say that the Faery being takes on the form we project upon it. We have the ability, in creating the conditions that allow them to materialize, to also influence their natures.

It has been my observation that many people who are raised, even today, in cultures where magic is practiced and the spirits are corrupted, flock into Christian churches for protection. They’ve been burned! The trouble with doing spells for worldly things has to do with all the desires and guilts and unclear emotions that human beings bring to the spirits. If the spirits  screw it up and your magic backfires, it is because that is the energy you were exchanging with them. Love begets love, malice begets malice, and even trickier, lust begets lust and all the Seven Deadlies.

Just like Lasher…

My Faeries were never evil, but then I didn’t expect anything of them except that they show me what they wanted all of us to know.

There was a time, I believe, when many many more people, if not all people could bring spirits through. The advent of the Industrial revolution and its rampant destruction and disregard for the natural world have not only closed our inner eyes, our minds, and darkened our knowledge of our origins on planet earth, but has closed the portals to Faery. I think witchblood flows through all of us. I think it is the life force of the earth. The sad part about losing it is that we are out of harmony and taking everything else with us.

For a really great blog post about The Witching Hour by Anne Rice check out Caroline Tully’s blog Necropolis

necropolisnow.blogspot.com

Post Footer automatically generated by Add Post Footer Plugin for wordpress.

Popularity: 35% [?]

The Hunt of the Unicorn Tapestries

The Hunt of the Unicorn Tapestries comprise an allegory of the fate of the pure soul in the world. The Unicorn has often been referred to as a Christ figure, but its meaning is much older than Christianity, for the image of a Beast, no matter how mythical, would not be used to symbolize the Son of God unless that God existed at the most primal, pre-conscious level, deep in the Soul of the World. When one meditates on the sequence of images in the Hunt of the Unicorn Tapestries, it looks more like an ancient Fertility Rite enacting the sexual awakening of the World. This has more to do with the Medieval Courts of Love than the Passion of Christ.

The innocence of the Unicorn is signified, not only by its clean, white coat, but by its single, uncloven, horn. One horn suggests unity,  it  cannot be entered, it wards off intrusion. Dual horns, in this context, suggest that that which was whole is now split. The possessor of two horns lives in the world of opposites, of two sexes, and therefore is concerned with procreation. That which is split then seeks reunion through the birth of the third, mirror image of itself, and so the regenerative cycle goes on.

That is why the Unicorn can only be tamed by a virgin, for the Virgin is undefiled, unitary, and protected. The Men of the World cannot open the Unicorn’s body unless he lies in the lap of the Virgin who comes forward voluntarily with an aura of sacrifice. The symbolism of the single fertilizing horn in a Virgin’s lap is clear. In the case of the Unicorn, there is a divine fertilization. Only when the Soul, (the Virgin) is torn away from her union with the Divine, can she be joined with man. Therefore the men, who seek to re-discover lost innocence, and because they are of the World, cannot value purity as inner possession only, and kill the Virgin’s Divine connection so she will be available for them in the world of duality.

This interpretation suggests that there is an alternate allegory to that of the passion of Christ possible here, something to do with the Virgin as World Soul in union with the Divine, and the Unicorn as the mystic seeking return to the source.It is also a Creation myth that shows the Fall into duality without which earthly life would not be possible.

For me, the quest for the Unicorn, and these beautiful tapestries, evoke great Mystery, so they are part of my Mysterious Domain…which is of course, in my imagination…

A Mystery is Sought

The Hunters represent primal man, crude, blind, and driven by base desires without the light of consciousness. They  enter the forest to hunt, but find themselves on the path of a great Mystery that will  instill a sense of belonging to something larger than themselves. Only a powerful encounter with the Otherworld will be shocking enough to awaken them.

They come upon a Unicorn dipping his horn in a fountain.

The  Hunters  break out of the woods and find a garden where all the animals, both hunter and hunted, live in peace and harmony together. It is the Garden of Paradise before the Fall,  before the intrusion of Man.

A beautiful, pure white Unicorn dips his horn into the Waters of Life, both to purify them, and fertilize the Earth with his divine power.

The Waters springing up from the Underworld  let us know we are in the Realm of Faery…

The Unicorn leaps over a stream

The Unicorn sees the Hunters and leaps over the stream that runs from the fountain. In the old traditions, bodies of water, especially rivers and streams, are crossing points between the mortal world and the Otherworld of Faery. It is interesting to note that while the Unicorn was at the fountain, he was safe in Paradise where the Hunters were not able to act against him. By leaping over the stream, is he not, therefore, running toward danger,  straight into the spears and arrows? If that is the case, it would seem his  sacrifice is voluntary, as all true sacrifices must be.
But why?

The Unicorn defends himself

The Unicorn defends himself by attacking the dogs. Is this not a representation of how the most pure, Divine power must seek protection from the defilement of the basest instincts of Man symbolized by the dogs?  In the old fairy stories, animals often stood for the gross sexual appetites, unrefined and undisciplined  by the consciousness of the higher mind. The idea of the tail wagging the dog comes to mind when you think of people who chase after sexual pleasure, or release, irregardless of the consequences.

Rather than defending himself, could the Unicorn be protecting the Virgin? Could he be trying to prevent the primitive Hunters despoiling her with rude weapons and coarse sexuality? For the Unicorn is the Virgin’s lover is he not?

The Ladies know what it means to capture the Unicorn

The Ladies of the Palace know what the mystery is and how it must climax. For they too have been virgins in love with the Unicorn.

A Virgin Tames the Unicorn

This is event is always referred to as the Virgin taming the Unicorn, but it not be seen another way?  It is really an image of the Unicorn laying hos head in the Virgin’s lap. While lying there between her legs, he is killed by the Hunters. Perhaps the Unicorn lays down its life to protect the Virgin from the instinctual, untamed, and unenlightened desires of the Hunters. He is her purity, and her inviolability. Once the unity is cleft, there can be no return to Paradise. Innocence is lost forever.
Interestingly, this piece of the tapestry is damaged and the figure of the virgin torn away. The red gowned  Lady coyly looking on is merely her handmaiden. We see the dog drawing the Unicorn’s blood.

So much for the pure, innocent Soul of the World in our times…

The Hunters slay the Unicorn

The Unicorn is pierced through the heart , both his spiritual heart located below the throat and his physical heart in his breast. The Palace of civilization stands on the other side of a lake. The refined Lords and Ladies stream down from the palace to receive the Hunters who seem changed by their encounter with the Unicorn.They approach the Ladies who appear to instruct them, perhaps on the proper attitude of respect to maintain regarding the Procreative Mysteries.

Indeed, the Lord and Ladies seem to ignore the Unicorn as he is impaled  above them, at the edge of the palace garden.  They seem much more intent on sharing the gifts of civilization with the Hunters. The palace is thus the realm between the higher and lower levels of being.

The Unicorn is restored to life

Often called ‘The Unicorn in Captivity’.

This is an apt title, although it leaves out the impression that the Unicorn has come back to life. Perhaps this is because he never was a mortal creature, but a symbol all along, a representation of innocence and purity too good for the World. Now he is captured, fenced in, and controlled by the forces of civilization that would use him as an example of perfection. Yet he is set apart, no longer part of the whole, rendered, in a sense, useless. He is emptied of the numinous wholeness he once wielded in the lost Paradise. In the  World, duality is all, for without duality, the cloven horn and hoof, the Creation as we know it, would cease to exist.

The Unicorn knows this. That is the nature of his sacrifice. He is at peace.

Go to my Videos for a beautiful Medieval song that goes well with these tapestries

Post Footer automatically generated by Add Post Footer Plugin for wordpress.

Popularity: 47% [?]

Babalon Diaries: Appendix Three

Though The Inauguration of the Pleasure Dome was the film made by Kenneth Anger most associated with the Babalon Working this film, Lucifer Rising, seems to me to be related to it. Perhaps this is because of its opening shots of seething volcanoes and its  evocation of the Aeon of Horus.

Like most of Kenneth Anger’s films, it is indecipherable without his commentary, but that makes the film no less compelling. Most of Anger’s films are based on his enactments of Thelemic Rituals, and the symbols can be interpreted using Aleister Crowley’s magickal system. I am not a Thelemite, but from my experience playing Marjorie Cameron/Babalon and my studying for the role, I have gained a little knowledge of Crowley’s universe and know a bit about of Egyptian magic.  I have figured a few things out that may help you if you want a way into this stunning little film.

The Aeon of Horus.

After the dark earth erupts with fire and light, Isis wakes. She takes an ankh, symbol of life, off of the wall of an ancient temple and wakes Osiris. As Osiris wakes and communicates with Isis, the crocodiles are hatched. In Egyptian religion, the crocodile is both revered as a symbol of strength and protection for the Pharoah, and reviled for its quick snatching of life with its long jaws. This dichotomy is shared by Devil/ Angel,  Lucifer.

I think what happens next is meant to be a new type of man born under the power of the Age of Horus. He is both fay and violent. He stabs a girl, and washes the blood off in a bathtub. The girl, played by Marianne Faithful,  comes back to life and transports herself back in time to ancient Egypt. She climbs higher and higher by stairs or mountain passes. There is fire, the Sphinx, Stonehenge and Druids carrying torches through the night. The elephant, Ganesha, remover of obstacles, symbolically steps on a rearing cobra, symbol of Pharoah, Divine Kingship, or enlightenment. Hmmm…

Kenneth Anger himself appears performing a ritual inside a Thelemic Circle. My impression is he is raising Lucifer. There is a tiger, a fiery animal, swimming in a sea, Many more water images suggesting emotion and the dramatic collision of the elements. Finally a young man wearing a jacket with the old NBC logo on the back wit the name Lucifer written above it. Some very strange things begin to happen. There are images of Aleister Crowley, juxtaposed with more knives and an atmosphere of  potential violence. At one point Lucifer carries a cake that looks to me like the Pleasure Dome. Marianne Faithful weeps into a scarf the color of Lucifer’s clothes. We see opium poppies, and strange green orgy, more Egyptian gods, spaceships flying over the Great Sphinx.

I am sure this hasn’t been all that informative, but with Anger’s films, every little bit helps. The images are hypnotic, and the music, composed and performed by Bobby Beausoleil, is absolutely mesmerizing and deeply moving.

If you have seen this, please enjoy it again. If not prepare to be both enchanted and disturbed.

Post Footer automatically generated by Add Post Footer Plugin for wordpress.

Popularity: 31% [?]

I want to wish everyone a beautiful Winter Solstice. May the coming of the light bring all your dreams into fruition.

This old song is so mysterious in its evocation of nature and the  birth of the divine Child. By Loreen McKennitt.

I hope you enjoy it!

Post Footer automatically generated by Add Post Footer Plugin for wordpress.

Popularity: 25% [?]

Today is December 16, 2009. Three years ago on this night, we performed Babalon at the John Geilgud Theatre at the Royal Academy of Dramatic Arts in London.

Happy Anniversary!

This is me at dress rehearsal in my Babalon costume.  See that stressed out scared look in my eyes? At one point, I wondered if I would even have a costume. The corset is from the now vanished Fairy Goth Mother at Camden Lock Market and was obtained under great secrecy. The skirt is a big piece of fabric held together with pins.

This is Part 16 to a series of posts about my adventures during 2005, leading up to the performance of Paul Green’s play Babalon. The story is full of cloak and dagger, initiatory strangeness, chaos, and hysteria. It shows what can happen on the Magical path if one is not careful…

Directed by occultist, Alison Rockbrand, Babalon was performed on December 16, 2005, at the John Gielgud Theatre at the Royal Academy of Dramatic Arts to a sold out audience of London’s finest occultists and magicians. If you want to listen to it, click Radio QBSaul: Archives: Babalon. I played Marjorie Cameron/Babalon. I am called Angela Murrow because I had to hide my identity.

Babalon: Demon or Angel?

As the events I am about to recount unfolded, I wondered if  playing Marjorie Cameron/ Babalon was a blessing or a curse. I don’t think Cameron led a very happy life, for all of its drama and intrigue, and she was the avatar of Babalon. All I could think about form here on out was that The New Aeon was about “force and fire.” And the Babalon Working was performed by a rocket scientist who blew himself up.  The explosions had only just begun.

When I left you in the last entry, I was sick with a hangover, having been falling down drunk the night before.

It was around 1pm, or 13:00 in Greenwich Mean Time, when I received a phone call from my flatmate, W.,  I was starting to feel a little bit better at that point, but that feeling was quickly destroyed by what my flatmate had to say.

“Get out as fast as you can. The Home Office was down here looking for you. Someone told the agent me an B. knew you, and they came in to  ask us about you. We didn’t tell them anything except that you weren’t in. He might go to the flat.”

When I hung up the phone, I was shaking like a leaf and dizzy with fright. My passport had expired just recently and I had been too busy to replace it. My mind went instantly to that horrible two-faced A. I was convinced she had ratted me out. Now I think differently, but then I could think of no other reason why I would have the Home Office coming after me in the market. I also realized that my drunken adventure of the night before had been my salvation, otherwise I would have been at work to be  hauled down to immigration and probably put behind bars. The idea of being in cage was worse than anything I could imagine!

I didn’t know what to do. The phone rang again. I was afraid to answer it, but picked it up in case it was W. again. It was a client of mine who had a habit of calling me at the worst possible times, but this was fortuitous for once.

“Turn yourself in,” she said. “Its like taxes — its better to just deal with them.”

“I can’t,” I said. “My passport is no good. No way am I going to turn myself in.”

We wrangled for a while and then she agreed I should run for it. She was very kind and gave me the phone number of her ex-husband who was an immigration lawyer who would be sympathetic to my plight. I was lucky to catch him in. After trying to convince me I should get married in a hurry — and he knew just the person — he finally told me: “Pack your bags and go to a friend’s house. I will see what I can do to help you, but first — get out of there. Otherwise you’ll be deported.”

Deported meant several weeks in a jail cell and then being sent home with nothing but the clothes on your back and nowhere to go.

I was nervous wreck! I was laughing to myself in one way though. All through this time, I had been working on a novel called Dark Night, Lily Bright. It was a fantasy based on British Magical traditions. My protagonist in the book, was in a situation that had to be really suspenseful and scary and I was unsure if I could write it. I actually wished I knew what it was like to be scared out of my mind so I could write the scene convincingly. And here I was! A live wire of terror!

“I didn’t mean this!” I said to the Universe. Be careful what you wish for is not just a cliche.

Bloody hell.

I called a good friend.  Luckily, she was home and when I asked her if I could stay at her’s for a few days,  she was up for it. By 3pm — 15:00 — I was out of the house.

When I got to my friend’s house — who I will call L, I called W. to tell him where I was and gave him her phone number. (I was the freak without a mobile phone back then, ever since I had mine stolen in the market.)

A few hours later, I got a call from W.

“When did you get out?”

“Around 3.”

“Well we just home at 6 o’clock, and there was a business card under the door. They came for a visit, by the look of it. Good thing you weren’t here.”

“I guess so,” I said. That was a close call.

“Look, don’t call the phone here. I have to find out what to do. Just don’t come back to the flat. I think he’s parked outside.I’ll call you when I know something.”

“I’m so sorry, you guys,” I said. I really was. I never meant to drop them in it. They went as much hell as I did through this.

So, was Babalon my nemesis as I had feared? Did she disrupt my life, creating  cataclysmic events because of the volatility of her spirit? That was I thought at the time. Now, I thank the Gods that I was given that role of Babalon, that she made me so sick I couldn’t go to work, because the Home Office catching me was bound to happen.

I was also glad that my first flatmate had turned out to be unreliable and moved out leaving me holding the bag. I am also so glad I had W. and B. move in because they were so strong and so loyal to me that I would have been lost without them. The first flatmate would have been totally useless and probably a treacherous cow as well.

I have come to believe that Babalon was my Guardian Angel.

After this, the story gets really weird, so please, do come back for more!

Babalon – A Fable of Rocketry, Sex and High Magick Tickets and Information

---

Gielgud Theatre 33 Shaftesbury Avenue London, England W1V 7HA Directions and Map This show is currently closed Performance Date was December 16, 2006 Ticket Information: This show is currently closed. Tickets by Phone: 020 7908 4800

December - January 2010 S M T W T F S 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 1 2 3 4 5 See Full Schedule

User Reviews

–There are no reviews posted yet.

Be the first to post a review!

And of course, if you want to listen to podcasts of our December 16, 2005 performance of Babalon, the links are just below.

Babalon: Part One

Babalon: Part Two

Please leave comments. For updates of the Babalon Diaries, subscribe to my RSS Feed or my email list. There is more to come…

Post Footer automatically generated by Add Post Footer Plugin for wordpress.

Popularity: 26% [?]